The Secret Rooms of Writing
- At September 21, 2026
- By Write in Community
- In Blog
4
Poet Donald Hall tells a great story. It’s an account of some friends who purchased an old house in the country, a great “warren of small rooms,” and after settling in and living in it a while, they realized that the floor plan “made no sense.” They started investigating, and you can imagine them tapping on walls, tearing away strips of wallpaper. And then after stripping off one particular section of paper, discovering a hidden door. And behind it a secret room. It contained no moldering skeleton, no hidden bags of money, but was closed off, as Hall relates “who knows why.”
Hall likens that secret room to the surprise found in certain poems. The astonishing acknowledgment of a truth one knows in their very bones, has always known, perhaps, deep down. But has never outwardly realized until the reading of the poem.
Wordsworth wrote of a time of desolation, of wandering “lonely as a cloud” and then discovering “a host of golden daffodils.” Oh, the turnabouts life has in store for us! Emily Dickinson wrote of not having time for mortality, but death in his black carriage “kindly stopped for me.”
One of my favorite poems has always been Gerald Manley Hopkins “Spring and Fall: To a Young Child.” The poem opens with the question “Margaret, are you grieving/ over Goldengrove unleaving?” The green things of the earth which must wither and die. And ends with the acknowledgment that Margaret has come upon one of life’s hard realities. “It is the blight man was born for,” the poet writes, “it is Margaret you mourn for.”
In these poems, we are allowed entrance into a secret room. The truth of the poems comes to us in a rush. We feel it in the body, in the heart. It is not for the intellect to tinker with, but for the heart and soul to feel. The poem helps us to do that and we know the shiver of reality.
But it is not only in the reading of poetry that you come across secret rooms, but in the writing of it. You are just writing along, writing about a remembrance of childhood, perhaps, or the bittersweet feeling that comes at the end of summer. And without intending to you’ve uncovered one of the essential truths of existence. You’ve stumbled into that secret room.
Robert Frost said that “I have never started a poem whose end I knew. Writing a poem is discovering.” For many writers, all writers—not just poets—that is what keeps us going. The knowledge that once in a while, you’ll come across a secret room that will reveal something new. Express something you haven’t previously been able to put into words. And that, is one of the great joys of writing. -Lucy Adkins
For more inspiration, check out our website www.thewritingandcreativelife.com. Or follow this link to purchase Writing in Community or our latest book, The Fire Inside.
Seeing with Fresh Eyes
- At August 03, 2026
- By Write in Community
- In Blog
6
“The real voyage of discovery consists not seeing new sights, but with seeing with new eyes.” – Pico Iyer
Miracles Happen
Many years ago, one of my beloved daughters was acting somewhat furtive, maintaining little eye contact, repeatedly touching her turned down face. Standing slope-shouldered behind her partner she stared at the floor. Then looked up. Light in her eyes changed deepening to a brilliant dark green like moss in the early morning. Rosiness of a pink sunset sky spread across her face. Suddenly a shift in my awareness and Joseph Pearce’s words hit home “insight is always complete and perfect in its single instant’s appearance.” In that “A-ha” moment I was seeing with fresh eyes. My daughter was carrying a special light, a heartbeat of its own swimming in her inner world.
Composer Vinteuil said, “The only true voyage is discovery…not to visit strange lands but to possess other eyes, to behold the universe through the eyes of another, of a hundred others….” When we “possess other eyes”, we allow ourselves to be transported to a wonderful and sometimes, surprising new land.
Read More»Instructions for Life
- At May 25, 2026
- By Write in Community
- In Blog
6
Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting– over and over announcing your place in the family of things. – Mary Oliver in “Wild Geese”
Mary Oliver saw herself in the family of things. She recognized that by opening to what was happening around her, she was already part of the natural world. Imagine Mary as a young child walking alone in the woods away from her difficult home life when she first heard the raw honking of Canadian geese break silence.
She saw the kindness of the lead bird float on air currents allowing trailing birds to fly faster with less effort. The tired goose dropping back, graciously letting others take the lead. Oliver watches the flock head to the same wetlands where food and safety were plentiful. A beautiful rhythm year after year. Mary Oliver took this wisdom of what she encountered in nature and wrote many poems. In “Wild Geese”, she penned these words “you do not have to be good” nor “walk on your knees,” but let the “soft animal of your body love what it loves.” In my reflection of these words, I think Mary suggests that experiencing the natural world helps us begin to shift from whatever we’re experiencing—anger, frustration, sadness—and realize there is a place for us. That we can accept ourselves—belong.
Oliver’s instructions for life are simple: “Pay attention. Be astonished. Tell about it.” She said one of the wonderful things about being immersed in life is the joy of surprise. Feeling joy is a redemption for our life, no matter our struggles she insisted “the world goes on…”
Read More»When the Poem Gets Away
- At April 27, 2026
- By Write in Community
- In Blog
6
A poet friend (a professor) once shared with me how it was for him sometimes, with writing. He was an accomplished poet with a good number of completed poems to his name. Yet there were times when an idea for a poem would come—a good idea, a prickling-of-the-skin kind of idea, but he had too many student papers to grade, letters of reference to write, and lectures to prepare. And the poem went away.
Has that happened to you? I believe that it happens more than we know. Life intervenes and we do not always act on inspiration when it comes. Or an idea may skip across our minds so fleetingly that we do not recognize it or its potential. And the idea is lost.
The good news is that the universe is teeming with ideas—ideas for poems, paintings, novels, and books of essays, all waiting to take form; and if we pay attention, if we keep our eyes and ears and our minds open, more ideas will come.
In her book, Big Magic, Elizabeth Gilbert shares her belief about the way creativity takes place. That there are untold numbers of ideas floating about, standing by, wanting to be born. That ideas have a sort of consciousness. They have will, and they “want” to develop and emerge into a larger existence. But for this to occur, they need a human collaborator. Someone who recognizes the idea for what it may become, takes hold of it, and devotes herself to making it manifest.
Perhaps that’s a little far-fetched. A little fanciful. But the ways of the cosmos and of creativity are mysterious. There’s always a little magic about the creative process. And if our next fabulous poem or novel is wanting to find us, it behooves us to be in readiness. Do what we must so that we can act when that spark of inspiration happens by.
So how do we do that? Mary Oliver says that for writers, “to pay attention, that is our endless and proper work.” So let us work to be alive to the world. To what we see and hear. The way the scent of plum blossoms takes you back to your childhood. How a robin warbling in early spring at dusk can almost break your heart. Do what we can to slow down, indulge in idleness, and remain curious. Sit in your chair in the sun with a pen in your hand, and see what wants to be written.
We live in a busy world. We have to make a living and take care of those around us. And we cannot help it sometimes—ideas disappear back into the ether from which they came. Our solace is to know that more inspiration will come, and we can unplug, relax, and pay attention, and that wild joyful rush of inspiration will make its way to us once more. –Lucy Adkins
For more inspiration, check out our website www.thewritingandcreativelife.com. Or follow this link to purchase Writing in Community or our latest book, The Fire Inside.
Finding Love: “Theirs and Ours”
- At March 23, 2026
- By Write in Community
- In Blog
12
Have you ever believed you didn’t count?
Abandoned by people you love? Nora and Agnes, daughters of Gustav Borg in the movie Sentimental Value, felt as children do when a treasured balloon suddenly is sucked away into the world. Sad, mad—vulnerable. When their father came to their mother’s memorial, they bottled up all their deep emotions blaming him for leaving the family and the hurt that followed. But what saved them, said Manohla Dargis, New York Times film critic, was “finding love: ‘theirs and ours,” the sustaining holy work that healed the hearts of the father and his daughters.
Challenging Relationships
Dargis describes the entangled father and daughters’ relationships as “…greedily self-involved and irresistibly charismatic, the kind who are easy to fall for and tough to let go.” Sentimental Value resonates with unwavering themes of resiliency, self-reflection and a conflicted love with intense highs and lows. Slow moving and layered with ambiguities and symbolism, the film is a tender, complex and poetic film that leaves much for the audience to absorb. . . and aspire to.
Dove Cottage: Finding Inspiration
- At February 23, 2026
- By Write in Community
- In Blog
4
A long time ago my husband and I took a trip to Great Britain and the Lake District, and while there, poet that I am, I couldn’t help but include in our itinerary a visit to Wordsworth’s Dove Cottage. Do you know it? It’s an unimposing place, a small whitewashed structure which was originally a pub called the “Dove and Olive.”
From late 1799 to 1808, Wordsworth lived there with his sister, Dorothy, the two indulging in what he called “plain living and high thinking.” Their lifestyle was indeed plain—there was no indoor plumbing and their meals were simple. But they filled their days with meaning. Walking in the countryside, keeping journals (both William and Dorothy), and in William’s case, writing poetry. Three of my favorite poems of his: “Ode: Intimations of Immortality,” “My Heart Leaps Up” and “I Wandered Lonely as a Cloud” were written there.
A Connection to Greatness
There’s something inspiring about being in a place where exceptional lives were lived. Where works of greatness were created. Being in rooms where writers worked, seeing their favorite chairs and desks, the pens and pencils they used. At Dove Cottage, I felt a certain sense of connection, knowing that where I walked, Wordsworth walked. Where I looked out the window to the English countryside, the poet did, too. I experienced a sense of the sacred. A sense of the heights a human heart and soul and brain can attain.
Then, too, there was the idea that being in the same space where Wordsworth wrote, maybe some of his molecules of greatness were still floating around in the atmosphere. And if I were lucky, some might fall on me.
Lastly, it was encouraging to see the humble surroundings. To think that I, too, coming from a similar modest background could dare to attempt poems that might be, if not great, then at least not-half bad.
Finding a Mentor From the Past
Pushing the limits of your abilities in the arts is the work of a lifetime. And like all worthwhile things, it isn’t easy. It helps to have a companion, someone along with you who is walking the same path. Real life mentors who can encourage you and coax you, and prod you at times. But also mentors from the past like Wordsworth or Jane Austen or Mary Oliver. People we admire and want to emulate—whether it be in their writing style, or their work ethic and commitment to excellence.
Since Dove Cottage, I’ve visited Eudora Welty’s home in Jackson, Mississippi and Willa Cather’s childhood home in Red Cloud, Nebraska. Also Hemingway’s house in Key West. It is said that inspiration can come from anyone, anywhere, anytime. What about your experiences? What places have inspired you? –Lucy Adkins
For more inspiration, check out our website www.thewritingandcreativelife.com. Or follow this link to purchase Writing in Community or our latest book, The Fire Inside.
The Experience of Light
- At January 12, 2026
- By Write in Community
- In Blog
10
In Emily Dickinson’s poem “There’s a Certain Slant of Light” she artfully expresses the way winter light transforms the snow-filled world: “When it comes, the Landscape listens—Shadows —hold their breath.”
Experience of Light
Writers have chosen to write about the variants of light for a long time. For many, it’s not so much the color, but the experience of light. Poet Jane Richardson wrote “…light loves searching out/what is hidden/what is lost/what is forgotten…” Consider Shakespeare’s famous lines, “But, soft! what light through yonder window breaks?” Washington Irving in Old Christmas said, “Surely happiness is reflective, like the light of heaven… .” Or lines from “Meditation in Sunlight,” May Sarton wrote “The sky looks down and meets the mountain range where time is light not shadow.”
A Light Show
To experience winter light, as Thoreau suggested, one must walk. All year long, Thoreau loved walking, strolling long distances by himself, often fifteen to twenty miles a day. In “A Winter Walk,” he wrote “At length we awake to the still reality of a winter morning. The snow lies warm as cotton or down upon the windowsill; the broadened sash and frosted panes admit a dim and private light.”
What Are You Learning?
- At December 15, 2025
- By Write in Community
- In Blog
12
Recently, at one of our weekly family dinners, my 13 year old grandson turned to me and asked, “Grandma, what have you been learning lately?” It was a great question, and a surprising one, prompted, perhaps, by my questions to him from time to time. What was he learning in math? In English?
But now he was turning the tables, and I was taken aback. What had I been learning?
I said I’d learned that politicians can surprise us, maybe even surprise us in ways we liked. (I was thinking of Marjorie Taylor Greene.) But I wasn’t satisfied with my answer. That wasn’t learning, I thought. That was just paying attention to the news.
Since then his question has remained with me, remembering times in my life when (not involved in a particular formal course of study), I was nevertheless intensely involved with learning. Learning which came about spontaneously, organically.
One of these times was after we moved into a new house with a new back yard and I became suddenly obsessed with all things relating to flowers and flower-gardening. Perennials, in particular. Another time, I developed an intense interest in the impressionist painters—Monet and Manet, Pissarro and Cezanne, Mary Ann Cassatt. I absorbed everything I could about them—their painting styles, where they painted and who they painted with. Their love relationships, their struggles for acceptance by the traditionalists. There’s a delight in these passions–becoming completely engrossed with something new and wanting to learn everything you can about it.
Undoubtedly, you too, recall similar times for yourself. When you’ve been fascinated by a particular subject—maybe photography or cave art, poetry or the history of the Civil War. You become totally absorbed in the subject—paying attention to every reference that crops up in your life, seeking out other avenues to discover more. It’s an exciting thing– a new infatuation, a passion. And it adds a richness to every day that not much else can.
So how can we add more of these sorts of experiences to our lives? I would suggest that there are two ways: (1) paying attention, and (2) curiosity.
“Curiosity is the wick in the candle of learning,” William Arthur Ward wrote. And Eleanor Roosevelt said that “Life must be lived and curiosity kept alive.”
For the creative in you, a healthy curiosity is an invaluable asset: What would happen if I took this series of photographs in black and white rather than color? What if I added another protagonist to this novel and wrote her chapters in first person?
What are you interested in? No matter how off-the-wall this might be? What are you passionate about? Indulge yourself and be on the lookout for new interests. Not only will it provide a spark for the creativity inside, it’s a joyous way to be fully alive. –Lucy Adkins
For more inspiration, check out our website www.thewritingandcreativelife.com. Or follow this link to purchase Writing in Community or our latest book, The Fire Inside.
Seeing is Knowing
- At November 17, 2025
- By Write in Community
- In Blog
10
“The tree which moves some to tears of joy is in the eyes of others only a green thing which stands in the way,” William Blake wrote “As a man is, so he sees.”
Expectations and Seeing
How we see our world shapes what we know according to Andy Clark, cognitive psychologist. Our brains make predictions of what it expects to see and limits our reality to that. “Those predictions then structure and shape the whole of human experience,” Clark continues, “from the way we interpret a person’s facial expression, to our feelings of pain, to our plans for an outing to the cinema.” It’s true, what we perceive today is embodied in what we experienced yesterday, and all the days before. Past histories are important. Seeing is knowing.
Discovering Yourself
All my life I’ve loved water and trees. It can be a mountain stream, farm pond, and, visited last month, Hanging Horn, a large Minnesota lake rippling with a strong north wind and rimmed with dancing ladies wearing tutus of orange and yellow leaves. Those flirty cottonwoods curtsying and prancing fill me with nostalgia for my Mother, an observer, a seer who had the wise eyes of an artist. Mother was touched by nature and all that it contained. Through painting she was guided inwardly to a larger and more bountiful life. Maxime Lagace said, “By discovering nature you discover yourself.”
As she grew older, Mother gained new perspectives and a deeper appreciation for all that was. Her canvases in later years shine depth and authenticity, a kind of awareness that can only be created by living in tandem with green things, in the open, nature. In one painting an old knotted apple tree sways at its knees and another, a copse of aspens with branches playing with each other like school age friends. Mother’s depiction of a ramshackle grey barn with a young boy chasing a mutt is my favorite. On the canvas, too, a towering oak tree, the father of all trees, is a carved heart with initials. Mother’s D.K. alongside initials of someone else. It took me a while before I recognized the letters were not father’s. Seeing is knowing. Even at age seventy Mother was a romantic.
Sending Invocations
The last night at Hanging Horn we sit close to the water’s edge gathered shoulder to shoulder around a campfire. The lake a black mirror reflecting pinpoints of light. Marshmallows burnt hang from pointed sticks. Symphonic layers of sudden laughter rise as some fall unbidden into the flames. “Oh, no, another one, Gram!” A chilly wind kicks up the fire’s embers that float like tiny Chinese good luck lanterns into the dark sky. I close my eyes and send silent invocations summoning the spirit of Pegasus, the constellation of creativity, inspiration and freedom. Watching my granddaughters’ turned faces look up I see Pegasus transformed in them. All light and love, emancipated. — “alive” in the world. And, as Joanna Macy beautifully described, “…with senses to perceive it, lungs that breathe it, organs that draw nourishment from it—is a wonder beyond words.”— Becky Breed
Writing/Creativity exercise:
- Choose a memory from a time you were in nature. Who were you with? What did you do? Describe the colors and season. Why is it important to you? Suggested activities: Artists, create a canvas reflecting this memory. For writers, create a prose piece or poem about your favorite nature memory.
- Select a type of tree you are most like or would like to be. For example, a fruit bearing fruit, a giant redwood, a Christmas fir, one splintered by lightning but still alive, the tree you grew up with or your choice. What characteristics will you relate? Passions? If the tree could talk (maybe it has), what would she say? Now write.
- Invocations are deeply held convictions asking for guidance or assistance. Today, what words would you use? To whom? Write your own invocation.
- What does being “alive” in the world mean? Tell a trusted friend what this means to you.
Looking for That “Sweet Spot”
- At October 20, 2025
- By Write in Community
- In Blog
2
It is how we choose what we do, and how we approach it, that will determine whether the sum of our days adds up to a formless blur, or to something resembling a work of art.” ―Mihaly Csikzentmihalyi
My husband is a sports nut, especially in regards to baseball. So around our house, particularly now with the playoffs, the TV is often turned to a baseball game. And if a game isn’t on, he tunes into sports talk radio to catch up on the latest. Because of his passion, certain exotic words and phrases float around our house. Phrases like slugging percentage, RBI’s, and pitching rotations. And from time to time, there’s a reference to the sweet spot.
What’s that? I asked. Tom defined the sweet spot as “a particular spot on a baseball bat that when the ball is hit from that point, everything lines up perfectly. And it’s as though there is no sense of impact, no effort on the part of the batter, but the ball sails out of the park.”
What if there were a “sweet spot” for our creative lives, a place from which we do our best work—and it comes effortlessly? Peter Bregman believes that “We all have a sweet spot where everything seems to flow; where we feel happy, competent, in sync with everything around us, [and] uniquely talented…” David Spangler states that the sweet spot is “the state of mind in which we experience the most joy and satisfaction in being ourselves. And from that place of pleasure and joy…energy arises to flow out into our day…”
So, the sweet spot does exist, surfacing when we are ourselves, doing what we love and are meant to do; and when we are in sync with everything around us.” It is being “in sync,” I believe, where we run into trouble. Life gets too crazy sometimes. Our plates are too full, and we wear ourselves ragged. Our emotions get the best of us, and we find ourselves out of harmony, out of balance.
In her book, The Sweet Spot, Christine Carter suggests ways we can re-establish that balance and work from our places of greatest strength. These ways include developing habits which enable us to re-energize, unshackling ourselves from clutter, cultivating relationships, and the willingness to get out of our comfort zone from time to time.
The sweet spot is elusive. If it were not so, every pitch to a batter would result in a home run, every artistic step we took would be brilliant. But we can try to grow closer to the place where we are at our best. That place where we breathe deeply and feel at peace. Sometimes it can be as simple as finding time to take a walk outside or sharing a laugh with a friend. For me a place of great comfort and also great energy is writing with my writing group. Some mornings I find this place at my writing desk. What about you?–Lucy Adkins
For more inspiration, check out our website www.thewritingandcreativelife.com. Or follow this link to purchase Writing in Community or our latest book, The Fire Inside.





Recent Comments